Gold, pure gold

With the recent rainy weather, I could not possibly let the chance go amiss to do some more lacquering; lacquer needs moisture in the air to cure properly (see my previous posts about this), and this is a problem when the atmosphere is so dry here in the Japanese winter.  I did my goby rod a few days ago and it really needs a good few weeks for the lacquer to really ‘bite’ into the bamboo and come out nicely.  So I made some progress instead on my new wakasagi rod, adding a little decoration to the lacquer in the form of chunks of lacquered gold leaf.  First the leaf is applied to a black background, and then layered gradually with a translucent reddish-brown lacquer to give a rather ambiguous yet rich pattern, rather like red momiji leaves, ‘suspended’ in a transparent glaze.  This is the gold straight on the rod, then after a layer of the red:


The lacquer needs to be sanded down and then re-done, so the gold will come through a little more. Then the whole thing is layered several times with a transparent lacquer to give it depth.  The plain gold does look pretty good as is, but for me is a little garish and bling-bling, and I prefer the burnt-red hue much more.

I had another reaction to the lacquer this week, fortunately much, much less severe than my previous experience, this time only limited to minor itchiness betwixt my ring and middle finger on my left hand.  Actually I bought an aloe vera plant and rubbing the juices on the affected part brings amazingly quick and natural relief; I wish I had tried this before!  The store-bought itch cream I used then, with its horrid zinc oxide whiteness and various chemicals, actually seemed to prolong the condition.


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